A moment of stupid overconfidence will convince you it’s a good idea to charge into a room with a single enemy in it, only to be pelted from above by firebombs and worse, wielded by enemies you had no hope of spotting beforehand. An ambush will put you right in the middle of a horrific sandwich of flesh and rotting bone.

A trap will wipe you out the first time you encounter it. They’re also faster and vastly more powerful than any human could ever hope to be.Īlso similar to what we saw in the previous two Dark Souls (and Demon’s Souls before it, and Bloodborne after it), Dark Souls III is makes the process of learning through failure its core feedback loop. The music almost helps provide you cues to time your movements, and you’ll need every bit of help you can get, because it’s not just the reach the monsters have on you. They’re the only moments where the music picks up, moving from subtle or non-existent to become a rousing, angry, gravelly rhythm, which is just what you’ll want backing your dance-like movements and you duck and dive around the reach of the horrifically potent beast that you’re facing down. Related reading: Catch Matt’s thoughts of the game’s predecessor, also available on the PlayStation 4, here.Īs with its predecessors, the boss battles are the dramatic highlights. As with all of FromSoftware’s recent work, this game doesn’t hold your hand, and it’s the better for it. It obscures, but it doesn’t hide you can learn Dark Souls III, and you’ll feel great reward in doing so, because it’s purely your achievement. Dark Souls III is a superb game that mixes a gothic, melancholic atmosphere with genuinely challenging combat and a narrative that obscures the true, startling revelations behind its thick fog and inky, unforgiving darkness.

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